hanging out with Jon Batiste, after his Conversation with Jason King at USC last night, & after I gave him my bookmark & told him I'd be honored if he'd consider composing some music for our film

hanging out with Natalie Musteata, cowriter & codirector of the absurdist darkly comic sci-fi short film Two People Exchanging Saliva, which is nominated for the Cesars & The Oscars, for best live action feature short film after last night's Wrap Pro screening of the Oscar Shorts Showcase at the Culver Theater. In her film, violence is not just accepted but normalized, whereas expressions of affection are not just discouraged but punished, and it's leaning into absurdist dark

hanging out with music maker, sound explorer & fellow storyteller Owen Nathanael at The Night Temple event in Los Feliz last night, after he bought a copy of my debut memoir Killing Justice

hanging out with Will Tracy, writer of both Succession and the darkly comic masterpiece Bugonia...LOVE THIS FILM, as it isn’t content to mock corporate amorality or internet paranoia. Instead, it’s more interested in what happens when belief becomes the only available structure in a life stripped of trust...it's a visceral, psychological masterclass. Plemons steals the show as a conspiracy theorist in a story that brilliantly blurs reality. It’s violent, deplorable, yet utter

LOVE, LOVE, LOVE this truly transcendent masterpiece, nominated for both the Oscars & Film Independent for Best International Film...nothing about the pulsating “Sirāt” is appropriate or expected or traditional or fully comprehensible. It just is. And it is utterly transfixing...Sirat is a profound meditation on the fragility of the human condition and the illusions of safety embedded in the Western worldview. Oliver Laxe challenges our assumptions of stability, revealing how

hanging out with Meghan Rose Scott, an amazing composer & musician & singer who performed one of her compositions at The Night Temple last night, after she bought a copy of my debut memoir Killing Justice

hanging out with Nia DaCosta, writer/director of the wildly entertaining, deeply moving Hedda, after last night's LACMA screening at the DGA...the film does an amazing job in externalizing Hedda's rage, complexity, and messiness, especially with the use of breath sounds in its magnificent score, as I also hope to do in adapting my debut memoir Killing Justice for the screen... https://www.youtube.com/watch?v=m3lgD59KrTw

hanging out w/my film composer friend Esin Aydingoz at The Night Temple house concert , as she got my debut memoir Killing Justice, to see what inspiration she might find 4 a possible film score 4 the Killing Justice/Orphan Rising film project